
In my retrospective of Havens of Gondor, I said that Dol Amroth was the closest thing the Dunedain had on the Grey Havens, and in Sea-Lords of Gondor I floated the benefits of a Pelargir-centered empire. Umbar requires some backpedaling on both fronts. As offensive as it sounds, it is the Corsair state, more than Belfalas, that parallels the Grey Havens. The key to understanding this is the fall from grace, a subject about which Tolkien wasn't fooling around, and made plain that elves were just as guilty as men. The elves shunned the paradise they should have returned to (Valinor) and made their own with the elven rings; men craved that paradise they couldn't have and thus made war on it. Men, in other words, wanted immortality just as elves wanted to be gods of their own creations, and Umbar tows the line of fallen Numenor in the same way that the Grey Havens (and Rivendell and Lothlorien) extend the Silmarillion tragedy. Umbar is nothing less than a microcosm of Ar-Pharazon's "victory" over Sauron, which was in fact the opposite, and molded Elros' people into Black Numenoreans.

Aside from the four-page color detachable of the city (one side) and the region around it (the other), the cartography of Umbar is crude as hell. The six tower holds of the Captains are laid out, as well as their castles outside the city -- all very hard on the eye. The Lair of the Dark Worship is also scrawled up, and offers some classic adventure beneath sea caves. A catalog of ship designs leaves the city's naval superiority unquestioned: Corsair raiders, coast patrols, slavers, and merchants; Black Numenorean progs, catamarans, and palanrists; Haradrim galleys, merchants, and "lively winds". (Though it would have been nice to see these drawn.) Umbar is a rather unappetizing product, but one I'm oddly attached to for its seniority, and the way it kaleidoscopes the fall of man.
History & Culture Rating: 3
Maps & Layouts Rating: 2
Next up: Far Harad.
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